Import Export Business : Aisa
That area of the world known
as the Far East has long been looked upon as a
source of great riches by the Western nations.
The Portuguese were the first to send home great riches from the Orient,
but other nations soon followed. Of all
the Eastern nations, the vast Chinese Empire was the greatest and richest
source of wealth. At first the Chinese
Emperors were able to hold the would-be Western traders in check. No Western imports were allowed into China, but
exports were allowed and had to be paid for in gold. Vast quantities of silk, tea, exquisite
porcelain, jade and many other riches flowed westwards. After the Opium wars, China was
really opened up to unrestricted trade and the West greatly prospered from
this.
Today, the Far
East still has much to offer Western traders and no-one is better
catered for than the mail order trader.
This book will reveal how it is possible for the mail order dealer to
strike it rich by making use of the almost limitless supply of goods which are
available from China, Hong Kong, Singapore
and elsewhere in the Far East.
The British ail order dealer
in inclined to chase down blind alleys in a futile and profitless effort to
find something which will lift him out of the rut into which so many fall and
then remain permanently trapped. This
explains the fact that out of the estimated six thousand people who engage in
home-based mail order, the vast majority are operating on a part-time basis and
making very little money. In fact,
detailed surveys have revealed that less than fifty of these six thousand are
making a full-time living. In addition
there are no more than ten who could be described as very wealthy.
In a previous book of mine,
based on an exhaustive and detailed survey, I estimated that of all the money
generated by the mail order trade, these fifty to sixty prosperous people took
over sixty per cent of it. The other
forty per cent was shared amongst the remaining five thousand nine hundred and
fifty - the losers, the part-timers who never seem able to rise out of the
rut. Why are there so many losers in
home-based mail order? As that famous
publication 'Recommend & Approved' pointed out so succinctly, most of these
people are not really mail order dealers at all. The definition of a mail order dealer is 'one
who sells goods by mail'. Whatever else
they may do, the one thing these tiny-scale operators do not do is sell goods
by mail.
I don't want to go into
great detail on loser activities, but I suppose one of the most popular is
flitting from one MLM scheme to the next and paying around £25 or the privilege
of joining each. It is worth pointing
out that MLM has yet to produce a single millionaire in the UK. But genuine mail order has produced several,
and at least one who became a multi-millionaire from home-based mail order,
mainly by importing fast selling items from the Far East. I will repeat those last four words - from
the FAR EAST.
So, what I'm suggesting is
this. Become a REAL main order dealer -
i.e. sell goods by mail and step out of the rut in which the vast majority of
the mail order circle remain firmly and permanently
stuck. Get off the MLM and chain letter
roundabout and start making some real money as a bona-fide mail order
trader. It is an interesting fact that
of the three top earners amongst the fat cats, none is involved in MLM. One is a professional writer and business
consultant, and both the others sell goods by mail - and both import from the Far East.
I don't wish to labour this point about wasting time and effort, but before
going on to the main subject of this book, I would like to quote from a letter
I received. It was written by a highly
educated man, an honours graduate and college
lecturer. He had been taking a look at
home-based mail order and dabbling a little.
The extract I have chosen from his letter reads as follows.
"I worked out very
quickly that most mail order participants do not actually sell any product, but
instead involve themselves in a curious carousel of exchanging pieces of paper
and money. Like cannibals they feed on
each other. The actual amount of money
circulating in the mail order circle remains more or less the same, but it is
constantly re-circulated. One other
aspect soon forced itself upon me. A
great deal of the material which has been plonking
through my letterbox is of an incredibly shoddy quality - tatty leaflets,
execrable English, suspect syntax, gruesome grammar, apostrophes scattered like
so much confetti and bizarre spelling."
I must agree with these
comments and in some of my previous books I have myself pointed to appalling
low standards of literacy in mail order literature and repeatedly suggested
that professional help be sought. It is
freely available and anyone who wants it can write to me care of the publisher,
if you want pointing in the right direction.
Now let us get on with
examining the fantastic opportunities for British mail order dealers who are
prepared to look at the other side of the world as a source for products which
will sell here with massive profit margins.
I will show you that a tremendous range of products suitable for mail
order are available at incredibly low prices.
Why are Far East prices often at a
level far below those of our own products?
The answer is that one of the major factors in pricing is labour costs. The unionised British worker has high living standards, works
for a wage and has a working week which would make a worker in the Far East green with envy.
How can a Western working
man compete with workers who survive on a few handfuls of rice, who work
eleven, twelve or more hours per day for a pittance? Now you may think that the exploitation of
cheap labour in the Far East
is morally wrong, but it is something which has been going on for centuries and
will no doubt go on for many more years.
In the workers' paradise (communist China)
the wages are even lower than elsewhere in the Far East
and the exploitation is even greater.
But mainland China
should not be ignored as a source for low priced products.
Let us start with the Far
East source with the most numerous sources for low priced products, Hong Kong. Some
people are influenced by a belief that Hong Kong
is almost at the end of the road as a source for cheep goods. Don't listen to the panic mongers. The reversion to Chinese communist rule is
still some years off. When it does come,
do not expect to see a sudden and total collapse of the free enterprise
system. The Chinese communists know very
well which side their bread is buttered.
As is already happening, communism and capitalism will work hand in hand
in the former British colony.
So if you want to deal with Hong Kong suppliers, do so with confidence. There is another reason why you can have
confidence when dealing with Chinese businessmen, whether in Hong
Kong, Singapore
or mainland China. The vast majority are
honest and have a sense of honour. Inexperienced mail order dealers who order
goods from the Far East sometimes forget just
how long it takes for good to come by surface route from the other side of the
world. So they sometimes send a nasty
letter to Hong Kong complaining about delay or
even worse. Such a letter would be
insulting if sent to a firm in this country.
It is doubly insulting when sent to a place where honour
plays such an important role in business.
You will notice I said the
vast majority of Far East businessmen are
honest, not all of them. There are
always one or two rotten apples in every barrel. Happily, it does not make for a major
problem. The Chinese business community in the Far East are
very anxious to protect their reputation for honest and ethical trading and
have methods for policing and monitoring the activities of their own business
communities. There are various trade
associations whose main purpose is to promote the export potential of their own
business community, but I found them very helpful when checking the ethical standards of
firms which I proposed to consider for listing in this book.
In particular, there were
three organisations which helped me a great deal in
sorting the wheat from the chaff. One
was an organisation in Singapore, the Association of Small
and Medium Enterprises (ASME). Another
was the Hong Kong Trade Development Council (HKTDC) and the third was a British
organisation, the Ethical Mail Order Trader's
Association (EMOTA). I will refer to all
of these three organisations by their abbreviated
titles from now on in this book. EMOTA
has members with extensive experience in Far East
trading and has built up large files of information. Without their co-operation and helpfulness it
would have been much more difficult to product this book.
This book deals with it's subject with a view to being primarily of interest to
mail order traders. However, I do realise that those who import, usually on a comparatively
small scale, from the Far East often have other ways of marketing in addition
to, or instead of, operating by mail order.
At least two traders who initially imported original oil paintings from
Hong Kong with a view to operating purely by mail order found other venues of
marketing and now only a small part of their business is conducted by mail
order. Both these traders have made a
great deal of money from their business activities and as I propose to deal
first with oil paintings from Hong Kong, I will provide information on these
other outlets for sale.
The import of paintings from
Hong Kong can roughly be divided into three
groups:
1. Original oil paintings by
Chinese artists, usually in the western style.
2. Reproductions of famous
old masters of the western school.
3. Oil paintings, usually
portraits of people, based on photographs supplied by the customers.
Here I would stress that
while a great deal of money can be made from any of these categories, there are
certain pitfalls which the trader inexperienced in importing must avoid and I
will give considerable attention to these.
Firstly, and perhaps most
importantly, you cannot communicate with suppliers in the Far
East in the same way that so many small scale ail order operators
do in this country. You will be dealing
with hard-headed businessmen who are very much profit motivated. They will often send expensive colour catalogues free of charge to those they take to be
bona-fide importers in this country. But
these catalogues and long detailed lists are often expensive to produce, apart
from the postal costs of sending them to the UK.
So, over the years, Chinese businessmen have become used to receiving
numerous enquiries and requests for trade catalogues from the West. They have thus developed an eagle eye, almost
an instinct, for spotting the time waster and the curiosity monger.
The practice of so many
home-based mail order dealers in corresponding with hand-written letters, often
with no proper printed letter heading, or at best, one of those little adhesive
gold labels with the name and address printed on it, or a rubber stamped
heading, all of these are o-u-t OUT. You
are unlikely to get a reply by sending an enquiry or request for a catalogue in
such a cheap, amateurish way. There is a
good chance your letter will go straight into the wastepaper bin without even being read. Your letters MUST by typed,
never hand-written. The letters must be
sent on properly printed letterheads and remember that absence of a telephone
number on that letterhead is an instant give-away that you are a small timer
who is not worth bothering about.
If you want to deal with Far East sources you had better give a professional
appearance to your business letters. Do
not ever give the impression you are a part-timer operating from your kitchen
table, even if you are. Many Far East traders do not mind sending small quantities or
samples if, I repeat if, they think you are a bona-fide businessman or woman
who may order much larger quantities later on.
So you either operate from the start in a professional manner or you
forget the idea of importing from the Far East.
We will start off by dealing
with art imports from Hong Kong, dealing in
any or all of the categories I have previously listed. There are numerous studios in Hong Kong who are eager and willing to do business with
Western businessmen. I mentioned that
there are some pitfalls which need to be avoided, so I will deal with these
next.
One pitfall is that
inexperienced beginners do not realise just how far
away the Far East is. Goods coming by sea take a considerable time
to come from the other side of the world.
So it is not really a good idea to take orders and then to send off the
order to Hong Kong. Not, that is, unless you have the goods sent
airmail and that can be expensive and add greatly to the costs. Far better to build up a
stock, however modest, before you begin to accept orders. Orders coming by surface mail can take
between two and three months, sometimes longer.
Experienced importers may use se freight instead of surface mail and it
is possible thus to cut down on journey time, but sea freight is really best
for larger orders. In the case of oil
paintings, (say) a couple of hundred canvasses or more.
I will explain the
differences between surface mail and sea freight and also explain certain
common abbreviations which are used in export/import when shipping
freight. Let us start with the
abbreviations which one will come across most frequently when importing. When you receive a quotation from the Far East, the quotation will either be F.O.B., C.I.F. OR
C & F.
F O B stands for Free On Board
An F.O.B. quotation means
the supplier will pay all costs up until the goods are safely lodged on the
ship. So the quotation includes the
actual cost of the goods, plus costs of transporting the goods to the ship, plus
cost of loading onto the ship.
C I F stands for Cost, Insurance, Freight
This means not only F.O.B.
costs but also freight costs up to the arrival at the unloading port, plus
insurance costs for all the journey from the supplier
to when you actually receive the freight.
The goods are usually insured at one hundred and ten per cent of actual
value. You have to make arrangements or
delivery from the loading port to your home or warehouse. So if the goods are unloaded at (say)
Southampton and you live in Birmingham, you will
pay the charges of the freight forwarder or the Post Office for delivery from
Southampton to Birmingham. C.I.F. quotations are often given if freight
is coming by air. If sent by airmail
parcel it will be delivered free to your home.
C. &
F. stands for Cost
& Freight
It is the same as C.I.F.
except that insurance costs are not covered.
You should arrange insurance with the freight forwarder. The same goes for F.O.B. as insurance costs
are yours once the goods have been loaded at the point of departure.
B/L stands for Bill of Loading
This gives information
regarding the weight of the goods, the type of packing and actual number of
parcels or crates, the name of the ship onto which the goods have been loaded
and the ship's date of departure. Whatever
you do, do not mislay that B/L. It is an
important document which you will need to collect your goods. It will also be needed to produce to the
insurance company if a claim has to be made.
I.L.C. stands for
Irrevocable Letter of Credit
This will only concern you
on larger orders when the value of the order is getting close to four figures
or beyond that point. It is a simple but
safe process which protects both the buyer and the seller. The buyer pays sufficient into the bank to
cover the cost of the order. The bank then draft a letter of credit which is sent to the
seller (exporter). It is confirmation
from the buyer's bank that they hold the money to pay for the goods and form a
promise to pay that amount of money to the seller immediately proof is given
that the goods have been dispatched on time and are in
accordance with the description given on the letter of credit. The seller is thus sure of receiving his
money once the goods have been dispatched, and the buyer is assured of
receiving the goods.
But on more modest orders
one would not use and I.L.C., but instead would use a Banker's Draft. Having placed your order, you will receive a
pro-forma invoice from the Far East supplier
with a request that you pay by Banker's Draft.
Your bank will make up the draft and you send it off the supplier. The bank charge for this varies from bank to
bank, but is usually around £5. If the
amount of the order is so small that it does not justify this charge, you can
always send cash. In this case you will
get a special envelope from the Post Office and thus insure the cash at a cost
considerably below that of the Bank Draft fee.
There are other
abbreviations used in import/export but they will seldom concern you. Before leaving the important matter of
transportation I would like to clarify the differences between mail and freight
and ensure there is no confusion. I
would also like to clarify the difference between sea mail and sea
freight. Freight usually only involves
orders which are too big to be sent by normal methods.
SEA MAIL
Cheapest,
but with the longest delivery time. You will
have probably heard the song 'Slow Boat to China',
but the boat from Hong Kong to the UK. can
seem to take even longer. It is not just
the actual journey time, there are other factors involved, not least of which
is that there are far less ocean going ships than there used to be. So the frequency of sailing from a port like Hong Kong is very much reduced. A few years ago such ports would be crammed
with deep sea vessels, not anymore. Your
Hong Kong supplier will take the parcel(s) to
his local Post Office where he will obtain a Certificate of Posting and he will send you
a copy of this. Unlike the sea freight,
you do not know when your goods will be placed on a ship, nor do you know the
date of departure.
Your parcel(s), along with
many other parcels, will be put in a container.
Only when the container is full will it go down
to the docks to await a suitable ship.
Once on the high seas the ship might sail directly to the UK, if you are
lucky, but it is much more likely that the ship will call in at other ports to
off-load parcels for that particular country.
So surface mail seldom takes less than eight weeks and
that would be exceptional. Best
to estimate at least twelve weeks for the journey time. There is a surface mail weight limit on
parcels of fifteen kilograms per parcel.
SEA FREIGHT
Strictly for large orders,
but it does have certain advantages over sea mail as you are able to be aware
of what is happening to your order - i.e. actually know the date on which the
ship left port with your order. As you
get more used to dealing with Far East sources, and if the size of your order
justifies the use of sea freight, you can easily obtain information about shipping
movements, such as which ships are sailing from Hong Kong and when. You can send instructions to your supplier
telling him which ship to put your order on.
You will receive a Bill of Loading (explained earlier) and from this you
will see the date of departure of the ship carrying your goods.
Airmail is considerably more
expensive but so much faster. Hong Kong
has one of the biggest airports in the Far East,
even if it is one of the most hair-raising to land at. With aircraft constantly
leaving for the UK.
there is little or no delay. But you will notice I have refrained from
giving airmail or other postal costs.
The reason is that postal rates are constantly changing (unfortunately
always upwards) and any information given here on postal rates would quickly
become outdated. It is easy enough to
find out current postal and freight rates from Hong Kong. Probably the HKTDC London office would be
pleased to tell you (address given later) or any main Post Office should be
able to provide information.
Now to deal with the
practical matter of importing oil paintings from Hong Kong, then I will deal
with many other fast-selling items from the Far East. You will notice that although I have
mentioned Hong Kong, Singapore
and mainland China I have
not mentioned two other Far East sources - Taiwan
and Thailand. There is very good reason for this which I
will come to later. Now to oil paintings
and, for the moment, we will exclude oil paintings from photographs as this is a subject which deserve a separate section.
The importation of oil paintings
from Hong Kong can be extremely profitable,
but anyone who is inexperienced should start cautiously and in a small
way. There are hundreds of studios in Hong Kong employing artists of varying degrees of skill
and expertise. Big is not always best in
Hong Kong.
One of the best is a very small family studio and they all work in one
room. What Hong
Kong sets as standards are not necessarily the same as those in
the West. So
when you see grades given on the literature from Hong Kong,
there are usually three. Very good, good and standard. These grades are only relevant to western
style paintings and not paintings in the classical Chinese style. I will interpret these gradings
with my own.
HONG KONG GRADING -
MY GRADING
VERY GOOD - EXCELLENT TO GOOD
GOOD - GOOD TO MEDIOCRE
STANDARD - MEDIOCRE TO PRETTY AWFUL
These grades refer to
original oil paintings. Reproductions of
oil masters by the better studios are generally of a higher standard. Original paintings not in the western style
and which follow the classical Chinese style are often exceptionally good.
The reproduction of oil
masters is more expensive, but the profit margin is still very good. It is not usual to buy ready framed oil
paintings from Hong Kong, yet for retail sales
it is essential that paintings are framed.
Unless you are an expert DIY man I do not recommend that you try to make
your own frames. There are plenty of UK. firms
who will supply ready made frames. Here
are a few of the good ones.
Saucha Sauda,
40 Great Hampton Street,
Hockley, Birmingham, B18 6AA
Northern Framing Company Limited,
86 Miller Street, Manchester, M4 4DY
Art Trade Frames, 2 Dagnan Road,
London, SW12 9LQ
Ford's Frames, 10 Brighton Road, Worthing, West Sussex,
BN11 3EA
If you are going to sell
retail you will need canvas stretchers which you can buy at almost any art
shop. The people in the art shop will
probably show you how to use them if you don't already know. The canvas is placed on the stretcher prior
to being framed.
Those who have imported oil
paintings from Hong Kong have found several
lucrative methods of marketing which do not involve mail order trading. A favourite method
is to hire a hall or a large room at a hotel and hold an art exhibition. Finding the right venue and the best methods
of advertising such an event are often part of a trial and error process, but
very fat profits have been made by some of those who have imported these
original paintings from Hong Kong. One might say that cold canvassing from door
to door would not be a suitable way of selling such paintings and this is
probably true, but I have heard of a variation which worked very well for one
man. He worked with a charming and
articulate lady who would call at houses and ask if they would like to see a
selection of good original paintings with no obligation to purchase. Response was surprisingly high and her
partner would then follow up and display the paintings. He did not use any high pressure selling
methods and had no prepared sales patter.
He said that English people generally did not respond to such methods.
One thing I must mention,
because at some stage you may be asked about it. Many of these Hong Kong artists are
incredibly good and are very well known, not only in Hong Kong but throughout
the Far East.
Yet when painting for the Western market they usually use a Western
nom-de-plume. Thus Lin Yong Chuen becomes Harry Brown, or whatever. There is nothing wrong with this
practice. Many creative people use
nom-de-plumes or pen names. The top
professional writers may have several.
Peter Head has at least six to my knowledge. You may get asked why an original painting by
a Hong Kong artist has an Anglo-Saxon
signature. Now you know the reason.
Paintings
from photographs is something which is extremely profitable and the best sources
for this work are in Hong Kong. But past experience has shown that many of
those in this country who operate this service are often unfair to the Hong
Kong studios who undertake this work in that they often ask them to accept the
impossible. If you operate this service
you must insist the customer supplies you with a photograph which will give the
artist a chance to reproduce a good likeness.
I suggest you do not accept Polaroid photos and it is best to insist
that photographs are at least postcard size.
Even then, do not accept if the person is a considerable distance away
from the camera. Remember you are asking
the artist to make a comparatively large painting from a photograph, so it is
no use sending a photograph of somebody standing at the other side of the
garden.
Reject any photograph sent
to you which is blurred or out of focus.
It is essential that the facial features of the subject are clear and
distinct. This will enable the artist to
produce a painting which will delight your customer. Asking the artist to do the impossible will
only bring complaints from customers. Of
course, not all the orders for this work are for paintings in which a person is
the subject. A relative of mine used
this Hong Kong service for a painting of her
Yorkshire Terrier.
The resultant painting was (in her own words) "absolutely
fabulous", but she did supply a large, good photograph of the dog. She also supplied a photograph of her very
attractive cottage which resulted in another brilliant painting. But mention of painting from photographs
which are not of the actual customer brings me to a very important pint, and
this is the thorny
matter of copyright. Any
person running a 'paintings from photographs' business may run up against
occasional copyright problems. If
someone sent you a postcard photograph for a painting to be made of a
photograph of (say) a Pop Star or other prominent figure, or perhaps a postcard
featuring a famous building, scrutinise the postcard
carefully because most of them are copyright.
Of course there is nothing to stop your customer taking his own
photographs of some familiar building or person and then there are no copyright
problems. But this is something you need
to be very careful about.
Now I'm going to give some
addresses in Hong Kong for those who are interested
in importing the original paintings or the paintings from photographs
service. I will give you names and
addresses and details of what each particular studio offers. My personal experience are
that all the studios I list are first class.
You will notice tat some of the addresses are long and complicated. The reason for this is that Hong
Kong is a very, very overcrowded place. More like a huge rabbit warren than anything
else. A building which in this country
might house fifteen firms would perhaps house eighty in Hong
Kong where space is at a premium.
Copy these addresses down very carefully, exactly a shown here. You will also notice that a lot of firms use PO. Box numbers for postal business. The reason is that Hong
Kong firms are more mobile than elsewhere. Workspace is very expensive and leases are
often very short. So a firm may move two
or three times in a year. Use of a P.O.
Box number allows continuity of business.
Of course,, this does not apply to all firms
and some of those I list have been at the same address for years. Here is the list:
NAME: ARTS COMPANY
ADDRESS: Flat D, 9/F., Wing Lee Building, 27-33
Kimberley Road, Tsimshatsui,
Kowloon, Hong Kong
POSTAL ADDRESS: P.O.
Box 98522, Tsimshatsui
Post Office, Kowloon, Hong Kong.
TELEPHONE: 3-7394777-9 TELEX: 41113 ACWKC HX FAX: 3-7394981
Manufacturer and exporter of
high quality original oil paintings of
landscapes, seascapes, flowers, street scenes, harbour
scenes, still life and oil paintings
from photographs.
NAME: THE ASIA COMPANY
ADDRESS: 11/F., Flat 4, Hai Phong
Mansion, 99-101 Nathan Road, Kowloon,
Hong Kong
POSTAL ADDRESS: P.O.
Box 95587, Tsimshatsui
Post Office, Kowloon, Hong Kong
TELEPHONE: 3-660546 TELEX: 40966 YFWON HX FAX: 852-3-3110293
Full range
of oil paintings.
Sample packages, write or telex or free catalogue.
NAME: ORIGINAL ARTS & INDUSTRIES
ADDRESS: Flat 4, 4/F., Cosmopolitan Centre, 760 Nathan Road,
(Side Door), Kowloon, Hong Kong
POSTAL ADDRESS: P.O.
Box 78939, Mongkok Post
Office, Kowloon, Hong Kong
TELEPHONE: 3-800728 FAX:
3-971009
High
quality original oil paintings. Portraits, masterpiece
reproduction, water colours, Chinese paintings on
silk/cork paper.
NAME: THE PAINT BOX
ADDRESS: No 9, 11/F., Block B, Chong Yip
Mansion, Pratas Street, Kowloon, Hong Kong
TELEPHONE: 3-617643 FAX:
3-7250977
Manufacturer/exporter/wholesaler
o original oil paintings, water colours, copies of
old masters, paintings from photographs.
NAME: TODAY ART COMPANY
ADDRESS: Room A2B, 1/F., Tai Fu Building, 10 Tai Tsun Street,
Taikoktsui, Kowloon,
Hong Kong.
TELEPHONE: 3-961198 TELEX: 47595 RGMC HX FAX: 852-3-7894481
Manufacturer/exporter of
quality oil paintings, landscapes, seascapes, portraits, reproduction of oil
masters.
NAME: ULTRA ART COMPANY
ADDRESS: Flat A, 3/F., 440-442 Nathan Road, Kowloon, Hong
Kong.
TELEPHONE: 3-7808649 TELEX: 52846 HAIS HX FAX: 852-3-886443
Reliable
manufacturer/exporter of quality oil paintings. Reproduction of old
masters. Paintings
from photographs.
NAME: VICTORY TRADING COMPANY
ADDRESS: Room 2303, Loong
San Building, 140-142 Connaught
Road C., Hong Kong
POSTAL ADDRESS: P.O.
Box 33882, Sheung Wan
Post Office, Hong Kong
TELEPHONE: 5-417074 TELEX: 67684 VTRDC HX FAX: 5-8540196
Experienced
manufacturer/exporter of original oil paintings. Varied subjects. Large quantity of stock from 8" x 10" to 24" x
28".
NAME: YUNG'S PAINTING & ARTS
ADDRESS: Room 717, Sincere Building, 83 Argyle Street, Kowloon, Hong
Kong
TELEPHONE: 3-939804 FAX:
3-7899856
Manufacturer/exporter
of original oil paintings (Western style). Also
Chinese water colour artwork on cork paper.
NAME: UNITED ASIA ART COMPANY
ADDRESS: Flat C, 7/F., Hang Wan Building, 42-44 Granville Road,
Tsimshatsui, Kowloon,
Hong Kong
POSTAL ADDRESS: P.O.
Box 90760, Tsimshatsui
Post Office, Kowloon, Hong Kong
TELEPHONE: 3-3115963 TELEX: 44750 UNISA HX FAX: 852-3-7962861
Manufacturer/exporter
of original oil paintings. Oil portraits from old masters. Oil paintings from photographs. Free samples and
photographs for bona-fide businesses.
NAME; DOMINIC'S ART GALLERY COMPANY
ADDRESS: Block C, 1/F., 183-189 Fa Yuen Street, Kowloon, Hong Kong
POSTAL ADDRESS: P.O.
Box 78786, Mongkok Post
Office, Kowloon, Hong Kong
TELEPHONE: 3-952342 & 3-918495 TELEX: 40207 WNJOY HX FAX: 3-7890643
Manufacturer/exporter of
fine hand painted original oil paintings. Over five hundred talented artists, specialised in various
subjects.
NAME: HUTS ART OIL PAINTING GALLERY
ADDRESS: Room 10-12, 8/F., Eureka
Industrial Building,
1-17 Sai
Lau Kok Street, Tsuen Wan, N.T., Hong Kong
POSTAL ADDRESS: P.O.
Box 116, Tsuen Wing Street Post Office,
N.T., Hong Kong
TELEPHONE: 0-4168706 TELEX: 51689 HAOPG HX FAX: 852-0-4114776
Manufacturer/exporter of
original oil paintings and
reproduction of old masters.
Water colours etc.
NAME: CHOI
YIN FONG
ART GALLERY
ADDRESS: Flat A3, 9/F., Burlington
House, 92-94 Nathan Road,
Tsimshatsui, Kowloon,
Hong Kong
POSTAL ADDRESS: P.O. BOX 73543, Kowloon Central Post Office, Kowloon, Hong Kong
TELEPHONE: 3-7218020 & 3-7218021 TELEX:
41252 CYFAG HX FAX: 852-3-3113670
Experienced
producer/exporter of oil paintings from photographs. High grade copy oil
paintings. Commercial
oil paintings. Water colours.
Cork paper silk Chinese traditional hand paintings and embroidery pictures on
silk.
NAME: HILL FUNG ARTS COMPANY
ADDRESS: Flat C, 8/F., Kin
Tak Industrial Buildings,
1172 Wai
Yip Street, Kwun Tong, Kowloon, Hong
Kong
TELEPHONE: 3-7973342 FAX:
852-3-434321
Large group of experienced
artists specialising in hand painted oil paintings,
also oil paintings from photographs.
Just one
or two points to clarify the foregoing list. The main areas for the business community in
Hong Kong are Kowloon
and the area known as the New
Territories. It is common to just use the abbreviation
N.T. for the latter. Do not attempt
other abbreviations and copy exactly the addresses I have given.
Before I close the subject
of importing art from Hong Kong, there are a few further points I must mention,
though they apply to all imports from the Far East. Remember that you will have to pay import
duty. Small samples might get through
Customs with no duty payable, but generally you can expect to pay between 15%
and 20% of the value of the bill or invoice.
Remember to allow for this when working out your own prices. The other relates to a normal practice of
business courtesy. If you write to the Far East and you are hoping to get literature sent to
you, perhaps even an expensive colour catalogue, then
you should at least have the courtesy to send postage. The international equivalent to the S.A.E. is
the International Reply Coupon, available from Post Offices. The person you write to can exchange these I.R.C.s for stamps to answer
your enquiry or request for information.
They can exchange each I.R.C. for stamps to cover a reply at normal
surface rate. So if you want an airmail
reply you should send several I.R.C.s.
Earlier, I mentioned using
an International Bankers Draft instead of an I.L.C. when buying small
quantities of goods. To avoid confusion,
the drafts are also known as International Money Orders.
Now I want to explain why
this publication concentrates on the wonderful bargains available from Hong Kong, Singapore
and mainland China, but it
virtually ignores Taiwan and
Thailand,
two sources which have much to offer.
The reason why, for the time being, we chose to ignore these two source is because of a disturbing trend which has caused
great concern to Western manufacturer.
You may have heard of the 'copy cat' system whereby famous brands are
copied, right down to the last tiny detail.
You may have read in the
press of horrific accidents caused when vital parts in vehicles and aircraft
failed at a critical moment, only for investigators to discover that the part
that failed was a cheap and inferior copy cat part, probably from Taiwan and Thailand. It is often very difficult to tell the
genuine product from a Far East copy cat. It is not just things like video and compact
discs. Just about every prestige product
is reproduced in cunning detail that defies anyone but an expert to tell the
genuine from the counterfeit.
The famous
Rolex watch in one example. Lay a
genuine Rolex down alongside a counterfeit and it is very difficult to tell
which is which. Even the printed
guarantee is identical to the original. Same type of paper, same size and style of print. The packaging is absolutely identical. The luckless purchaser only finds out when
the watch stops and he takes it for repair.
Then he finds out that the works in the watch are cheap and nasty. In the case of things like certain car
accessories, such as tyres or brake fittings, these
counterfeits can kill. I am sure that at
least some of the mail order dealers, market traders and others who have been
convicted for selling these counterfeits were probably innocent in the sense
that they genuinely did not know they were handling counterfeit goods.
I personally know of one
unfortunate person who sold top brand electrical goods at a car boot sale. I firmly believe that he was totally unaware
that he was handling counterfeit goods.
But to quote an old saying - "ignorance is no excuse in the eyes of
the law". This man was heavily
fined. In this case the counterfeit
goods came from Taiwan. Most of these clever fakes come from Taiwan or Thailand. Representation has repeatedly been made to
both governments by manufactures' associations in Europe
without effect. Criticism by European
governments and the Western media has also been ignored.
Earlier I mentioned EMOTA
(Ethical Mail Order Traders Association).
They have advised their members not to engage in importing from either
country until their respective governments take positive action against the
manufacturers of these pirate goods. As
I am myself a member of EMOTA and also one of the freelance consultants
retained by them, I will follow their policy and give no favourable
publicity to either country until action is taken against these pirates. This explains why you will find I have almost
entirely ignored both countries in this publication.
I have given details of the
art studios in Hong Kong and the obvious opportunities for big ft profits, but Hong Kong as much more to offer. Everything you care to think of is made in
Hong Kong and at very competitive prices, so I propose to give some more good Hong Kong sources for all kings of fast selling items
which will be of special interest to mail order traders. In some cases I will give instances of the
types of goods which have already been imported with great success by British
mail order traders and importers.
One example which comes to
mind is that of a small firm of flag makers in the East End of London. For years they had supplied flags of all
kinds as well as bunting, banners, etc.
They always had a thriving mail order section, but rising labour costs, the increased cost of materials, increased
rent on the business premises, increased rates and other problems almost put
this firm out of business. The wolf was
at the door. The two partners knew that
something drastic needed to be done to save the business.
What they did was
revolutionary, but it saved the firm.
They moved to smaller and cheaper premises. They ceased manufacturing and got rid of most
of their small labour force. They still supplied flags and banners as
before, but now all their stock was imported from Singapore. This firm has taken on a new lease of
life. In less than two years the
business has been turned around and is once again highly profitable. As one of the partners told me - "If we
hadn't moved with the times, we would have gone under". Flags always sell well. If you want a good source in Singapore for
flags, banners, pendants, message printing, etc., I suggest...........
NAME: WILLICHEW ARTS & ADVERTISING ENTERPRISE
ADDRESS: Block 2023, Bukit Botok Industrial Park A., Street 23-04-110, Singapore 2385
TELEPHONE: 567-4822 FAX:
(65) 5637381
Manufacturer/exporter. Specialised in all kinds of silk
screen printing for flags, banners, T-shirts, etc.
That account of the London flag making firm
had a happy ending (for them), but it points to a very disturbing trend. The manufacturing base in this country
continues to shrink. The story I have
told has been repeated thousands of times up and down the country, usually
without the happy ending which the flag makers enjoyed. In a situation where we operate a free market
economy, where our trade unions have enforced living standards which may be
morally justified but are not justified by production levels at costs far above
those of the Far East and elsewhere, we can
only continue to decline.
There is a Chinese proverb -
"The tears of the dispossessed will help water the garden". In other words, one person's calamity may
well benefit someone else. The fact that
our manufacturing industries are, with a few exceptions sliding rapidly
downhill, should not deter you from taking advantage of an economic situation
which gives you the opportunity for making money. Will 1992 and the dropping of E.E.C. barriers
make any difference to this Far East
bonanza? The answer is no. Though most of our European partners have
lower manufacturing and labour costs than we do,
theirs are still very much higher than those of the Far
East countries. So there
will be no change and Far East importers will
continue to flow. Nor will there be any
appreciable difference in Hong Kong when the
colony reverts to communist Chinese rule. So I can see no serious problems
arising for importers of goods from the Far East.
Sometimes one can hit on
something from the Far East by accident which
can give birth to a highly profitable idea.
A Navy man, based in Hong Kong, bought
a Chinese lacquer trunk fro a firm specialising in
Japanese art and furniture. He
eventually arrived back in the UK.
to take his discharge from the Navy. He and his family had to move into cramped,
temporary accommodation and he decided that the Japanese lacquer trunk had to
go. He put it into a local auction and,
to his utter astonishment, it went for about five
times what he paid for it. Uncertain
whether this was a fluke, he ordered other items from this firm, more trunks
and a lacquer round table. An
advertisement in a quality Sunday newspaper brought an unexpectedly high
response and this man realised he had, by chance,
fallen into a profitable business. There
are firms in Hong Kong who can provide the
most exquisite oriental furniture. One I
can recommend is...........
NAME; ORIENTAL ARTS & FURNITURE
ADDRESS: Flat A-F, 9/F., Agincourt
Industrial Building,
No. 428 Cha Kwo
Ling Road, Yau Tong, Kowloon, Hong
Kong
POSTAL ADDRESS: P.O.
Box 72455, Kowloon
Central Post Office, Hong Kong
TELEPHONE: 3-480161-3 TELEX:
39151 OAF HX FAX: 852-3-7727671
Manufacturer/exporter of
lacquer furniture, screens, oriental hand paintings, hand painted wallpapers,
porcelain wares, ceramic wares, etc.
I wonder how many of you
reading this publication realise just how big are the
quantities of goods which pour into this country from the Far
East. Go into any toy store
or any market place and check on the country of origin on the goods you
see. You will find that a surprisingly
high proportion come from the Far East. Many of the goods sold by mail order through
such publications as Exchange & Mart come from the Far
East. Why is this so? Is it because such goods are produced far
more cheaply than goods made in the West for reasons I gave at the beginning of
this publication. Thus profit margins can be
enormous even allowing for the import duty.
What you have to do is decide
which particular product you think will sell well in this country. Then you find a source in the Far East which can supply that product. You can be certain there is such a
source. I am now going to make a few
suggestions. One line which seems to do
very well is Chinese porcelain wares.
Don't be afraid of that word 'reproduction'. There are several manufacturers of exquisite
reproductions of ancient classical Chinese designs. Admittedly such items have to be specially
and carefully packed and care has to be taken during transit. It is wise to ensure that consignments of
this type are fully insured against damage.
If sold by mail, then special care must be taken with protective
packing. A highly recommended source for
porcelain ware is...
NAME: SHUN JING PORCELAIN WARES CO LTD
ADDRESS: Room 1501, Tung Chun
Commercial Buildings
438-444 Shanghai Street,
Mongkok, Kowloon,
Hong Kong
TELEPHONE: 3-7708286 FAX:
852-3-857773